Everything

2015

EVERYTHING began with the discovery of a mis-framed family photograph, an image in which the intended subject is cropped out but other unexpected details emerge. The work explores how photographic “mistakes” can reveal overlooked narratives, shifting the focus from what was meant to be captured to what unintentionally occupies center stage.

Through this process, Everything challenges conventional framing, highlighting hidden stories and reaffirming that every fragment of an image has meaning.

Bellemilia

2016

BELLEMILIA is a journey through the province and the Emilian outskirts, exploring the so-called non-places: anonymous landscapes, forgotten gas stations.

Non-places are not the opposite of places, nor do they cease to exist; rather, they challenge our ability to describe them, as they lack a clear and shared meaning. These spaces leave an imprint on our minds through a few key details.

They are territories that belong to everyone and no one, filled with small, elusive stories that resist interpretation yet subtly alter our way of seeing. These places persist paradoxically—where nothing ever happens, anything can.

Sono nata con te

2019

SONO NATA CON TE originates from a simple yet powerful request: a letter from a mother to her daughter. From this intimate gesture emerges a visual narrative intertwining memory and identity, rooted in archival images and evolving into a dialogue between past and present.
Family photographs, mountain landscapes, and body fragments alternate, tracing a journey where the skin becomes both boundary and bridge—symbol of an ancestral bond. The work unfolds as a visual testimony but also as an act of reconciliation. It invites us to recognize and embrace feminine identity, starting from family roots to achieve a renewed sense of harmony with oneself.

Altrove

2021

ALTROVE is a visual diary of the pandemic, capturing isolation and the shifting perception of space.
On March 7, 2020, as the world came to a standstill, time seemed to stretch indefinitely. Being alone in a single room transformed the domestic space into a mimicry of countless elsewheres—a synthesis of distant places. The apartment oscillated between exile and refuge, escape and confinement, hiding place and stage. Beyond its walls, the city lay deserted, empty, suffering. Through a blend of analog aesthetics from a Kodak disposable camera and digital imagery, Altrove reflects on the loss of familiar spaces and the impact of absence.

Venti!

2025

VENTI! is a photographic story about the number twenty as a symbol of change, a threshold between past and future.
At twenty, life is full of possibilities and uncertainties, desire for control and fear of losing direction. In the last two decades, Italy has lost over 21% of its youth population (ISTAT 2024), leaving fewer young voices in public debate.
The project combines portraits, words, and symbolic still lifes of flowers blurred by 20%—a metaphor for fragility and transformation.
VENTI! offers no answers, only questions: What do we truly see of today’s twenty-year-olds? And what future can they glimpse?